I sit here writing this less than 24 hours after watching the final-cut of the newest Mastodon video that I had the privilege of creating along side some of the most talented people I’ve ever worked with, and which I will say more about soon. Watching this project come to fruition has been an incredible experience during which time I learned the true nature of real creative collaboration. Like most artists I know, I’ve spent most my life being a control freak about my work; needing things to be a "certain" way to match my very specific vision of a creative project. Asking for outside opinions or interpretations of my work has never really occurred to me, which understandably, has made me a pretty tough dude to collaborate with.

That is, until a few years ago when I started to let go.

I don't know if the shift was brought on by overwhelm, or because it was just time to see things differently and transform from an uptight control freak to more of a free moving collaborative, but once I was open I became a kind of magnet for attracting awesome freak energy that could be added mine. Like sometimes I'll have someone sculpt some crazy ass figure for me, and they're interpretation isn't really too much like the drawing I did for it, but I end up loving it. I don't know man, maybe age has squished my ego, or maybe I just don't care about getting recognition for my distinct style as much as I like to see what happens when I let myself work collaboratively with others.

Sometimes I have to remind myself that my art is not going to disappear if I compromise. I still make it with my hands, but I like to see what happens now more than ever when my art goes through the filter of what others bring to it. It's so much fun seeing what someone can do. And to be honest, I’m finding that people are getting into these projects as much as I am, if not more!! It's absolutely incredible to put yourself out there into the universe, openly, and get people that are into it and have faith that it's going to be, not just ok, but fucking amazing! People are really good at what they do and sometimes it's just best to let them do that.

With so many creative cooks in the kitchen, the video I did for Mastodon could have very easily turned into a train wreck. But I guess most everything I do feels like it's bordering on train wrecking while I am wildly trying to build track before it flies off the rails. I don't know if that's good or not, but it just is that way for me. The truth is, I think if you put yourself out there in a big way (with a pretty big amount of risk) you will attract the kinds of things that it will take to make it great, or you'll learn from it not ending up the way you would have liked. Either way you actually win. Sorry if I'm being annoying and positive but having faith in things has been kind of my weakest trait. I have had no faith in anything most of my life. Maybe it's some banal childhood darkness that has trained me to be that way, but that shit needs to go to bed when there's a chance to do something great! You have to reach out there and see what could happen. Sometimes the right people reach back and the Mastodon video is a great example of the perfect storm of creative, freaky cats coming together to make something epic! Looking back at it, I couldn’t be happier with how the video came to be, or how it turned out!



People have been asking me how I got the chance to art direct a video for Mastodon. Well here’s how it happened: One morning I asked Brann, "What do you think your cat does at night when it goes out the cat door? (Brann has an incredible one-eyed giant cat named Don). Do you think he goes on some insane cat adventure?" This is how my brain works when I'm getting that coffee buzz going in the morning. Plus, I've long been suspicious of secret cat adventures for years. Since I was little I’ve thought," What the fuck are they doing out there all night?" Anyways, Brann said," That’s a cool idea. Why don't you write a treatment for a video?" AND THUS IT SHALL BE!



I took the next day off to stay at home, smoke pot, chill with my cats and listen to King Crimson records while I wrote out the story for the video. Somehow this strange idea just started wriggling its way out of my brain and there was not a moment that it felt like a struggle to put together. It came out fast as I could write it, which is rare for me. I think it’s rare for most creative, except maybe Jack Kirby, RIP. Anyway, I wrote this sumbitch' out like crazy, all free-hand, and then I typed it up, drew out the storyboard, and sent it over to Brann! Months and months went by and I kind of forget about it, because stuff takes time and you never know what will happen, and Mastodon tours all the time, and you just never know what will stick and what won't in this world. Besides, I figured Warner Bros might read the treatment and think ,"Cool! People love cats! We can work with this," but then read the whole expansive subterranean psychedelic hero cat journey universe and think something like," Wait, what the fuck is all this other stuff? This will cost us millions! Shut it down!" Like I said, life’s a crapshoot. So time goes by. Then one day Brann hits me up and says," We should make that video." AND SO IT BEGAN! We reached out to Shane Morton from Silver Screm FX lab, the greatest practical effects guy ever, and an inexhaustible wealth of creative knowledge of horror films, comic books, the occult, and all things wrestling. Shane is an unending art tornado, a juggernaut. Trust me, I thought I was a juggernaut, but no, this guy puts me to shame. Shane quickly put together a budget based on the treatment I wrote, we turn it into Warner Bros, and with some coercion from Brann, and some advocacy from the Mastodon team we were able to convince Warner Bros that we knew what we were doing. After a month or two of them deliberating (no we didn't have to blow anyone...this time) the project was approved! Now the only thing we had to do was start, and make it awesome.









Because I'm an ambitious nerd and because Brann is one of my best dudes, I wanted to something absolutely insane-- better than all the Star Wars movies and Dark Crystals combined! I’d have had to rise to the challenge, but luckily I love a challenge! When I got to Atlanta where the filming would take place, Shane had already started work on the sets. I'm talking whole rooms transformed-- big ones. Everyday we added more and more and more. All the people I got to work with on this project were incredible. I made so many friends and got to be around this incredible rebel art spirit everyday. It felt like some kind of bohemian apocalypse puppet art school! I learned so much from everyone there. Thinking of them now makes me miss them all over again. But for almost three weeks straight we worked together building sets, crafting puppets, painting totems, carving mushrooms and sewing costumes. It was absolutely crazy and I loved it! I met Chris brown (not that Chris Brown) who is this wild puppet making genius who trained in Europe and did all this prestigious puppet Illuminati shit that I can't really talk about. I was completely enveloped and the project eclipsed everything else in my life for those weeks. I met video Rahim (director) and Ashley Simpson (assistant director who kept all of us on point person) and they brought an amazing working knowledge of how it could and should be! Together, they've done a ton of amazing videos and are killing it in Atlanta. This amazing crew of young dudes came in to do lights and camera work and it was awesome to see them do their thing, especially since the shoots ended up being over 15 hours a day. The last day we shot for a full 24 hours! It was bat shit crazy, but we needed to do it to get the shots in the time we had.







Rahim directed the shit out of us, and let Shane and I do some directing too! You should have seen me with my long cigarette and beret hat! I fired and rehired everyone like 6 times-- it was awesome! The first cat we tried out for the video was having a hard time not being distracted so we got this other cat! Her name was Skye! She's so beautiful! You can see in the video how cute her face is. She was a natural! The only problem was we had planned on making the cat puppet look like the first cat so we needed to change the fur over to look like Skye (puppet drama).









Luckily it all got figured it out because Shane is the only person I know that actually does better when he's screwed in the moment because somehow some other magical shit happens and he figures it out and then he walks away all smug like he just solved the Rubik's cube of your life and he knows it. It's pretty great to watch. And he does it like 5 times a day. Anyways, while I was painting this ancient one eye cat totem (an homage to Brann's one eyed cat, Don) I got a message on Facebook from Hey Beautiful Jerk who wanted to know if we needed any help with Digital FX. I thought it couldn't hurt to watch their reel, so I stopped and checked it out and Holy shit man! It was absolutely wild, and you have definitely all seen stuff they have worked on! Katy Perry, Rhianna, a bunch of commercials, Adult Swim stuff, Run The Jewels and much more. They were looking to do something really creative and collaborate with us since seeing my ridiculous posts of us in Shane's spooky shop. I immediately replied YES and they said they were going to be in Atlanta in the next day for a wedding and we should meet. Now tell me that isn't some insane synchronicity. Shane and I talked very openly before I flew out to Atlanta about the only way this project would work, and that would be if we came at it like Alejandro Jodorowsky. We would attract spiritual warriors, just like in Jodorowsky's Dune. (Of course his version of Dune never got made but let's not focus on that for now). We needed spiritual warriors, baby!! And they were flying in from NY and they had no fucking idea how insane we were! So Mark and Gina from Hey Beautiful Jerk became a new element of the video. Mark cruised in with an Electric Wizard shirt on so I knew I wasn't gonna have to translate much. They understood exactly the vision for the video. Rahim had made a sick animatic trailer out of my horrible drawings and it was on! Things were poppin'!







After getting the sets done and the puppets ready and the cat all set up, we started filming. It was total chaos and I both loved it and didn't know fully what was happening. Brann insisted I be the stoner guy on the couch at the beginning and end of the video. I'll be honest and say that I secretly wanted to be that guy, but I was open to anyone who looked better for the role. Luckily for me, I got chosen for it (I'm ready for my close up!). Over the course of 3 days we did scene after scene. I got to puppeteer and help direct. Rahim kept it all going with the help of Ashley's schedule. It was clear to me that some magical shit was going on and I was really sleepy! Ha!





Gina from Hey Beautiful Jerk flew in for the last two days of shooting so that she could consult us on what they were able to do with effects while we made the shots. It was good to know what was and wasn't possible because we needed way more time than 3 days to shoot this thing but we didn't have it. It was completely insane to start the shoot at 10:00 am and end it at 9:00 am the next day. The camera and light guys were definitely spiritual warriors at that point because I don't know a person alive that could have kept going like that. I felt so much appreciation for everyone that was there. They stayed up late each stressful night, not knowing if this was going to be the best thing ever or not. They all kept it going and I am eternally grateful. I wrote this insane story and they were bringing it to life. When we wrapped on the last the morning, I hugged everyone and got on a plane. I had to get to LA for a film festival (I had a mini film debuting at the Lovecraft Film Festival). When I got home, Mark and Gina were in the editing process, adding even more animation and FX elements with my art infused in them! They encouraged me to get more wild with a medium I was familiar with, so I paint and illustrated a few sick ghosts that they thought would take the finished product even further. Well, I more like drugged out smoke hallucinations, but they look like ghosts. I did some font changes and title cards and some cat transformation sequence illustrations. It felt like doing two totally different styles of creation for one video and I loved it! First was going to puppet school, then I got to do what I normally do (painting and illustrating) as well! It was incredible! It felt so freeing!







Then I worked with Gina and Mark to add the last insane effects, the flow and the sequence. They were super attentive to what I thought would honor the original story I wrote as well as adding their strengths to make it something bigger. The timeline to get this beast into the cage and delivered to Warner Bros wasn't leaving us much time, so I put my faith into what Gina and Mark could do. Besides, I really wanted to see what the spirit of collaboration pulled out of them. I was blown away at what was pulled out after going above and beyond to bring what started as an afternoon writing down a cool cat hero story, into this 6 minute long epic of cosmic proportions! Everyone involved went above and beyond! This whole thing was limited to budget and time and the people involved did what they had to do in the time allowed and they all did more then they had to go beyond what any budget would allow. With love and vision and involvement this project became everyone's baby. It's beautiful and its what happens when you don't play by the rules. It's what happens when you treat a project as a process of learning and collaborating with others. When you see what happens when you don't limit yourself. When you do your best and pass it on to the next person to theirs. You watch it grow through the filter of the next person…it's almost spiritual. I had have faith in it, in the people I was working with. I had to believe in it in a way that left no room for doubt. I know that sounds ridiculous but watching something happen in this perfectly strange, perfectly beautiful way that can't be quantified by what a demographic likes or what the kids think is cool or what an executive wants to go viral. It’s rare and special to me that this beautiful collaboration happened, it was a gift. The experience, the friendships, the struggles, the times waking up tired and having to do it all over again. It was the best gift I could have received because I learned more about myself and what I'm capable of than I thought was possible. I hope you enjoy this video as much as I do. I get a little emotional watching it cuz I know what went into it’s creation and I'm an emo baby. If you get the chance please check out the links I've provided for the people involved! I think you'll love them as much as I do!
Thanks, Skinner



ATTENTION PRINT LOVERS!
Beginning July 1st, Critical Hit will be discontinuing the large majority of Skinner’s giclee prints for sale. All the prints you see below will NO LONGER BE AVAILABLE FOR PURCHASE after this month.

We asked Skinner what his motivation for making the transition from giclee to silkscreen prints was, and here’s what he told us:

“I am totally in love with silkscreen prints and I want to support the industry as much as I can. I don't know, maybe it’s my love of the printing tradition or the smell of a freshly pulled piece. I’m not at all opposed to giclee, but I want to approach offering giclees differently—more like time-selected limited releases instead of large numbered editions. And I think it’ll make it more special (and collectable) for the collector that way.

Also, I plan to start some newer paintings this summer, and I may release some of those in giclee in super limited, time-selected runs. But for the most part I am just going to be making silk screen prints because they’re awesome, affordable and they support a great art tradition I want to see stay alive. Before I discontinue my giclees, I wanted people to have a chance to buy the ones below until the end of the month at which time they’ll be GONE FOR GOOD! So if you've been checking one of these out, you better snatch it!”

All the prints you see below will be discontinued at the end of June so we can make room for killer new Skinner art!

Thank you everybody for all your support!

www.shopciticalhit.com








Here is the window display i did for Mishka..This was my first time in Tokyo and I have Mishka to thank for having me out to get wild on this window display! Greg Rivera ( or Greg Mishka, if you prefer) was instrumental in making it happen,,he has done alot for me and remains one of the best examples of how doing something ridiculous like art as a career can introduce you to some of your favorite people....If you find yourself in that Shibuya area go check out Mishka Tokyo! i have some paintings in there with Lamour Supreme, pushead and Coop..



Heres an awesome sign to a book store that Kristie and I loved..We bought a cool spooky comic book in there that had mat Brinkman art in it!


These chicks went wild for the skinman!



Love of my Life !! Took my sweet baby to a temple to get a Omikuji or poem drawing composed in the traditional 31 syllable form...written by either Emperor Meiji or tyhe Empress Shoken..




Entrance to the temple! was very cool to be in an environment that you knew was created to advocate presence and peace..Even walking from one building to the other quietly, and listeneing...It brings on a special calm.




This is Shigeru. He is a special mutant. He is a rad artist and person. Here he is holding a baby doll I gave him. He hates it though. Thats ok.




Here is a shirt I released with Mishka..I think you can get it at the mishka tokyo store or maybe online soon.


Greg Mishka! This is one of my favorite dudes! Ever since I met him we have been laughing and also he has a vast understanding of cursed souls and mummy hands and cool shit like that! he is rad! we look like some weinies in this photo!





Went to the robot cafe AND IT WAS INSANE! GO THERE RIGHT NOW!




COOL CAT ART THAT WAS ON THE FENCE OF A PARK...THESE ARTISTS WERE TRYING TO SAVE THE PARK!
I think they are trying to nuild over the park maybe!




Save the PARK! this art is cool.



After the opening of my window display where some really sweet people came by to say hello, We got drunk at the club. It was my birthday! I turned 37 and i stayed up real late like a bad boy. no big deal thats what bad boys do you cant stop me.


                                          NOW TO MANILAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA!!!!!


In MANILA!!!!!! The view from our room! The Gallery in Manila, Vinyl On vinyl treated us so good!





Installing my paintings for the show! Seduction of the Innocent was the name of my show! Check out my last blog post for details about the show!





Pile o' Paintings! 24 x 36 inch paintings on canvas!





Laying out my prints!





People trying to figure out what is wrong with me.



Its not all autographs, supermodels and millions of dollars man, sometimes you gotta climb a ladder!


The opening was Incredible!! so lucky to have met everyone!!




Lotta rad people that came out!! Loved meeting everyone!








This is a young epic artist named Blic! he kills it! His show ran simultaneously with mine! Check out his paintings of hands, below!




Young Blic! kills it!




This young painter is incredible! Patcho Quinto! Gave us this piece!




What a fun guy




Rode some ponies up TAAL volcano! I didnt ride mine because i felt guilty but we ran side by side like wild pony twins it was rad, we felt so free together like we were brothers, even. This volcano erupted in the 60's and ended American occupation because it scared them off! HAW HAW.  It smelled like sulfur and also there was smoke coming out of holes in the ground, it was awesome!!!


PEACE MON





At the top of the Volcano!! on the right is the gallery ownwer sweet heart named Gaby DeLa Merced! She is a race car driver and a totally wonderful person! Not pictured here are other people from the gallery..Pia, who was also amazing as well as Alex, Rob and Carlo who made us feel so welcome! then to Gaby's right is Kristie, my wifey!  then to her right is our bodyguards Degie and Chuck Norris Jones!



I got to referee a boxing match! Then we had drinks.We are old alcoholic friends!




They punched my balls repeatedly. I paid them extra for that.



FAREWELL! I love VINYL ON VINYL CREW! I am coming back to Manila and it will be crazy! This trip was such a privilege! i cannot wait to go back!! If you are interested in buying any originals from the show then email info@vinylonvinylgallery.com

Have a beautiful day!!!


Over the last two months I have been working on paintings for my show at Vinyl On Vinyl in Manila, Philippines..
10 paintings that were to combine my love of silver age comics, and a recent more intense obsession with Jack Kirby as an artist and master of fantastic fiction. The aesthetic style of it influenced from different kinds of comics at the time of the silver age.. A little before or after as well.. KIRBY/DITKO bombast and action, E.C. Comics creepiness and sci fi weirdness as well as pre silver age stuff of the likes of L.B Cole.. I set out to do some weird comic book panel art that would be fun and easy to do for the show in Manila.. It was fun and indulgent even, but something happened as I was painting these... I was listening to Jack KIRBY interviews on YouTube and after I listened to all of those I was referred to Alan Moore interviews and grant Morrison interviews.. The Jack KIRBY interviews fascinated me because I love Jack Kirby and what he has done is sort of Mentor me from beyond the grave by providing the most incredible example of blue collar work ethic not to mention how weird and impressive and beautiful his imaginings always are.. He's not called the king for nothing.. Well the Alan Moore and grant Morrison interviews really set my mind off into a kind of interest in the psycho mental and spiritual involvement that creativity can invoke.. A sort of journey beyond the normal dimensions of story concepts and art as an imaginative astronaut willing to take on a mental freedom no matter how bizarre it could be.. A few Alan Moore interviews really got me thinking about how important socially active and antagonistic art is.. That it is at its best when it is for the people, not the status quo standard of self congratulating upper art echelons not available to the average joe.. It renewed my sense of this, although my modus operandi is to put my art in the hands of anyone if I can.. I then was in a mutational stage of silver age comic book social antagonism, which is ridiculous enough but then I started on the Robert Anton Wilson and Terrence Mckenna interviews.. Which completed my journey by bolstering my love of the absurd and the freedom it brings by overthrowing any current form of social niceties and standards, as well as kind of opening my mind to the spiritual shift that human beings are capable of through drugs and consciousness.. So of course whatever paintings I was working on by the time I was listening to Terrence McKenna, were completely taking an aggravated stance towards mentally inhibiting institutions.. The church, military industrial complexes, etc.. Of course i had to buy a couple of ounces of mushrooms so I could take them when I get back from my trip over seas.. Summer is good for hiking and spirit morphing! Haha!! So as I was painting this batch of weird paintings, I realized that a lot of what I was commenting on in these paintings were very Americanized themes and concepts.. Some emotional and some political.. I then thought of how the show was in the Philippines which is a country that I hear loves aspects of our western culture.. I thought of Fredric Wertham who wrote a book called " Seduction of the innocent" in 1954, which all but destroyed the comic book industry in the late 50's.. It put EC comics out of business, and the book claimed that comic books were influencing children with horrific themes and violence to be terrible, twisted future criminals.. It struck me that what really turns us into twisted versions of what could actually be, a peaceful beautiful organic occurance on earth, are our warlike behaviors, our social conditioning and standards, our subjugation and mental enslavement via stupid religions of ourselves and others..( there's a lot more to touch on but let's stick with only a few for now) .. Comic books don't make for a shitty world.. People doing the same dumb shit for generations and continuing the stupidity and lazy minded selfishness because we are addicted to things that work for us as an individual but put others back, make a shitty world.. We can't evolve if only a couple of people can afford it.. So I named the show "Seduction of The Innocent", an art show of my Wacky and critical commentary on some of our collective struggles as well as social/political institutions that I think will never get enough spankings.. And laying it out in my favorite art form style, comic books.. It has been an incredibly fun exercise into trying new things and pushing myself to do things I never had the discipline to mess with.(im looking at you, insane old tymey comic fonts) the show starts on March 25th.. A few days after my opening in Japan at Mishka Tokyo, which is where we are showing my new window display/installation for them on March 20th.. If anybody an come out and see me Id love though your face!
Thank you for reading my long pontificating description on how I arrived in a place of total confusion.

All paintings are on canvas
Acrylic, airbrush and ink
24x36 inches

1. Dysfunction, my old friend




2. Cosmic child, won't you love me?




3. Army of none




4. Hide the abnormal sense of self





5. The strange notion of equality and why it pisses off half the population




6. Be not afraid, little man





7. Reboot the system.





8. The green man hates them all





9. God and his uncanny ability to judge you




10. The zen of peace and it's fleeting nature



OK! Im releasing another 10 of each of my babies...
10 Morgoggs and 10 Ogos...
You may or may not see animated commercials of them on Adult swim soon, so be on the look out for that...
maybeon Friday march, 20th They will go on sale at noon pacific.
bagged with epic headers, they each come with a limited 8x 10 giclee print. the print is limited to only, this run.
$250 each...AND the kicker is..the first person to order a morgogg gets a blank black one FREE! As well as whomever orders the first Ogos will also get a free black blank..Im crazy, I like to hook people up. I love anyone who likes my stuiff so there it is...Youll get a sick hand painted bagged figure, a print and the chance to win a free blank..I did these deep color paint style with gold sprays and multi layers for depth..might dominate the shelf but I don't know, thats a matter of opinion! HA!
They will ship out within 3 days of purchase.
Thanks you guys!! I love you!

**For free shipping enter discount code "FREESHIPPING"
when you check out!


www.shopcriticalhit.com















I wanted to do some epic silk screen prints of my monster studies from My show " New Maps Of The Abyss" I just had in new York.. These are some of the classic characters from the Game, Dungeons and Dragons...
Perfect gifts for individuals ranging from misanthropic teen on up to stoned out uncle.





















I will be subsequently be releasing other classics in silk screen print as well soon. The first 20 orders of these prints get a random artist proofs of my release "Dead Folk Arcane" a print set..now enjoy them in TECHNICOLOR!!!

www.shopcriticalhit.com







I have been grinding away on Paintings for my show in new York, Animation projects, Toy releases and work for the Melkvins Documentary, bbut the thing i am happy to announce is that I am finally releasing NEW shirts and zip-up hoodies! Thank you for being patient with me as I get it all together just in time for the capitalist swine holiday of Black friday! hahaha! In honor of this holiday I am pretty much not doing anything except offering a FREE beanie with any order of $100 or more. I am also throwing in stickers and other little loose prints I have around! I honestly hope that if you buy any special gifts for people this year, that you buy from a small business..Not just mine, but any small business..In your neighborhood or online! Lets get together and support all the cool little places that make neat things. thanks for tuning in!
-SKINNER

www.shopcriticalhit.com





















Unveiled! I debuted these freakish beings at Designer Con!
Was hard to keep it secret for so long! My new, first ever self produced japanese vinyl figures, Morgoog, and Ogos!
I have been working with David Arshawsky on several projects and thought I would spice it up by making epic large scale figures that I would have lost my shit over when i was little. I tried to touch on just the right balance of, 80's nostalgia, Kaiju giant monster cinema energy, as well as mythology and tripped out fucking weirdness...I grew up obsessing about the Hulk, the war of the Gargantuas, Frankenstein...giant terrorizing creatures that may eat you and your friends...or are they here to help?

I give you:
MORGOGG, THE WHISPERING PRINCE
born with an evil in him that would not stop growing! His tiny whispering face on the back of his skull will drive you mad! Within his cursed club lies the soul of his mother, who was trapped the day he was born! Their village had ostracised them to live in the mountains where they have only each other to keep company.




OGOS, THE EYE OF THE WORLD
Born to kill the bravest warriors that find their way to his island. All cyclops weakest point is their eye. That is why the Mad gods that birthed him have given his club many eyes to find their target. For even if the Cyclops may lose sight in his one angry eye, there are several more that mayt guide him through the power of his club! may you never wash ashore on the island of Cyclopes.



13 inches of teeth gnashing japanese vinyl
Gamma Ray Green
6 points of articulation
limited sets for $300
singles of each for $175
Available Friday Nov 28th at noon pacific

www.shopcriticalhit.com



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